Loose-bodied Kirtle

At chocolate revel last year i saw sever very well made, and worn, loose gowns. It is my understanding that these gowns started as surcotes in Spain. As Spanish influence grew in the 16th century their popularity spread. In England, they started as an informal dress you might wear at home or after court functions were done for the day. They also grew in popularity with those who were older and shying away from fashions which were growing more ridged and complicated. Another demographic this gowns were especially popular with were pregnant women. Some women would lace kirtles looser and adujest placards over their belly, others especially heading into the mid 1540's and later, might wear one of these dresses.

Queen Katharine Parr from the National Portrait Gallery, London, UK.

I have a loose gown that I use at camping events as a glorifieid coat to stay warm. Now I have been inspired to create a new one from scratch and the proper under gowns. I did a little research and decided to borrow my friend's pattern by Margo Anderson to work on my loose-bodied kirtle, aka loose kirtle. I cut out the detachable sleeves and front piece of the gown.

While I was home for a few months last fall I took the time to start embellishing the front piece and sleeves with couched gold thread, pearls, and yellow seed beads. Doesn't this fabric look amazing with the embelishment?

Yesterday I cut out the back and side panels of the gown. I used a simple cotton twill. I know that some people suggested that I use a cheep muslin, but I was concerned about the vast difference in weight between that and the upholstery fabric I have been working with. Then I progressed to spend the afternoon stitching the loose kirtle together. All of my construction sewing is complete, and my seems were finished with flat felled seams. Today I am hemming this by hand and if I have time I will make binding for my neck and arm.
The final step will be to make eyelets by hand. watch for the upcoming tutorial.

Comments

Pockets in the 16th Century?

So if you are new to my blog, Hello! I took July off to focus on work and realities of covid life. Thanks for hanging in there. This week we are doing to cover 16th Soccocia and their role toward the origin of pockets. People need a place to carry and keep their small items as they walk around. In the middle ages you might have a pilgrim satchel or a belt pouch. Some women in the middle ages had the brilliant idea to stop wearing their money purses outside of their over gowns and instead would wear them between their kirtle/sottona layer and over gowns. This arrangement still gave you access to the purse, but made it harder for thieves to cut your purse strings and run. Fast forward to the 16th century and we find the heirs to this practice in socaccia. We have some visual evidence of these in mid to late 16th century art out of Italy. This is a detail of Alessandro Allori's, Woman at her toilet, ca 1575-78. Currently in Florence, Church of Santa Maria Novella, Gaddi ...

Costumes in Wolf Hall

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time...

Making my Viking Apron Dress

This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over...

The Tudor Revolution

Search This Blog