Skip to main content

Altering my Hand Sewn Kirtle

 Hello there Beautiful Humans!

If I am being honest with us all, this dress did not fit before the pandemic started either. I mad this dress when I was fresh out of college, living on a military base, and in very good shape. I am still in fair shape, but no where near that lean, and I still love this dress. When I made it I was living in Arizona and could only really wear it for a few months our of the year due to the heat. Historically people did not often throw out clothes that don't fit like we do today. 1 gown could cost a significant portion of a laborer's wages to just replace. Instead of buying all new garments all the time they would altar, mend, and redecorate older outfits to accommodate for weight changes, wear and tear, or repurposing of garments. Janet Arnold in Queen Elizabeth's Wardrobe Unlock'd even discusses tailor bills indicating that she was not wasting the expensive materials her clothes were made from. Instead she has several dresses that were remade over the years. We could learn a thing or two about slow fashion from this period. A goal of this project was to be positive about my body 10 years later and find a way to wear a dress I had loved when I first made it and bring it back into my costuming rotation. Be kind to yourselves and focus on the bright sides of where you are at. This dress was the first garment I had ever hand sewn and at the time I made it I was so proud of the research I was able to do, my construction, the fit, etc. Because I was so proud of this I used it to enter into one of my very first SCA Arts and Sciences competition which is a funny story for off the internet. I didn't get the highest marks on everything, but I didn't expect to because this was my first time not entering as a novice and I wanted the feedback. Because I have no wish to enter this into competition again 10 years later, I decided to sew the dress back together with a strong cotton thread rather than the more historically correct linen thread because I already had it, the color matched perfectly, and if there is a need to do repairs in the future I should be able to match the color fairly easily. The biggest difference in the construction between these two attempts is the bodice construction. Originally I did what I had always done and bag lined the bodice, stitched the skirt to the bottom, and hit the raw edges under the bodice lining. This sewing technique while effective, was more common after the invention of the sewing machine. This time I went with a construction method that is more historical by flat lining the individual pieces and whipping the pieces together. This construction makes it so much easier to altar or repair wear on garments. I also sewed eyelets into the dress using an awl and reinforcement rings rather than just whipping rings to the lining on the inside of the dress. Below is the link to the tutorial I made about eyelets: https://youtu.be/Nkr1aJ4ubFc The final big improvements were in how I dealt with the skirt. Rather than half hazard knife pleating the skirt to the bodice I finished them separately and box pleated the skirt onto the bodice and stitched a thread bar into the front skirt opening. I hope you have enjoyed watching this dress diary and that you feel inspired to make a garment you love wearable again. If you do remake an item I would love to see it. Please tag me on Instagram with @maridith.smith In the mean time, happy sewing and stay safe out their friends! Bisou Bisou, Maridith

Update!

Miss Philimena created a challenge inspired by this project and her own medieval kirtle. Link to her playlist with others refreshing their wardrobe is below. Go and check them out! Are you going to join us in the Costume Renewal Challenge? #costube #costumerenewalchallenge #societyforcreativeanachronism #tudorcostume #historicalcostuming

Comments

Popular posts from this blog

Pockets in the 16th Century?

So if you are new to my blog, Hello! I took July off to focus on work and realities of covid life. Thanks for hanging in there.  This week we are doing to cover 16th Soccocia and their role toward the origin of pockets. People need a place to carry and keep their small items as they walk around. In the middle ages you might have a pilgrim satchel or a belt pouch. Some women in the middle ages had the brilliant idea to stop wearing their money purses outside of their over gowns and instead would wear them between their kirtle/sottona layer and over gowns. This arrangement still gave you access to the purse, but made it harder for thieves to cut your purse strings and run.  Fast forward to the 16th century and we find the heirs to this practice in socaccia. We have some visual evidence of these in mid to late 16th century art out of Italy. This is a detail of Alessandro Allori's,  Woman at her toilet, ca 1575-78. Currently in Florence, Church of Santa Maria Novella, Gaddi ...

Costumes in Wolf Hall

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time...

Making my Viking Apron Dress

  This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over...