Skip to main content

Historical Hair Q&A

 Hello Beautiful Humans!

Over the last year several of you have asked questions about historical hair care and bringing more of these practices into the 21st century for your own routines. In this video I go over some of the pros and cons for different hair care practices from the middle ages and today. Please do keep in mind that these observations are based on my personal experiences which might be different for other people with different hair types. A few questions I go over include: "What is the difference between medieval and modern hair care?" "How do you prevent your hair from matting/ getting tangled?" "Which products should I use for historical hairstyles?" "What is your favorite historical hairstyle?" I hope you enjoy this update on historical hair care that I was able to recover from the vault when my laptop data came back. Do you have a historical hair care question or tip? Please shar in the comments!


You may also be interested in my other Hair Care videos on this play list: Youtube Playlist Some of the specific videos I reference in this video include:
I Stopped Washing my Hair for 2 Weeks! YouTube Video
Medieval Dry Shampoo Experiment YouTube Video For more info on Ancient Roman Hair please go check out Janet Stephens YouTube Channel

Comments

Popular posts from this blog

Pockets in the 16th Century?

So if you are new to my blog, Hello! I took July off to focus on work and realities of covid life. Thanks for hanging in there.  This week we are doing to cover 16th Soccocia and their role toward the origin of pockets. People need a place to carry and keep their small items as they walk around. In the middle ages you might have a pilgrim satchel or a belt pouch. Some women in the middle ages had the brilliant idea to stop wearing their money purses outside of their over gowns and instead would wear them between their kirtle/sottona layer and over gowns. This arrangement still gave you access to the purse, but made it harder for thieves to cut your purse strings and run.  Fast forward to the 16th century and we find the heirs to this practice in socaccia. We have some visual evidence of these in mid to late 16th century art out of Italy. This is a detail of Alessandro Allori's,  Woman at her toilet, ca 1575-78. Currently in Florence, Church of Santa Maria Novella, Gaddi ...

Costumes in Wolf Hall

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time...

Making my Viking Apron Dress

  This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over...