Making Jewelry Inspired by Roman Mummies

In this video I have made a multi strand necklace from glass beads to approximate coral jewelry popular around the Mediterranean Sea in Ancient Rome. My earrings in particular were inspired by several pairs shows on the Fayum Mummies. The Fayum mummies are widely considered to date between the 1st century BC and 1st century AD. After the death of Cleopatra VII, Egypt was controlled by the Roman Empire which lead to an interesting mix in places by Fayum which has Roman, Greek, and Egyptian influence.

Depending on where I was living, costuming from ancient Rome became a mainstay of my summer costuming wardrobe. It lets air circulate, can accommodate a wide range of body shapes, and can be surprisingly elegant. I would highly recommend checking out ancient Roman clothing for your historical costuming summer wardrobe. Because the clothing is frequently simple with lovely details like the jewelry and hair, this is an ideal style for folks that love to make and add accessories to an outfit. For more information on these mummies here is a decent article from Wikipedia. It also has the sourcing information for the mummy paintings I reference in this video. Article about the Mummies

History of Coral Jewelry Amazon affiliate links for supplies: Headpins: https://amzn.to/44NGtbc Crimp Beads: https://amzn.to/3Kjpkhu Multi strand pieces: Mine came from JoAnn Fabrics, but if you don't have one near by check these out https://amzn.to/450U26M Small Fresh Water Pearls: https://amzn.to/43OTJLF Beading Wire: https://amzn.to/44Mdu7A Jewelry Making Pliers: https://amzn.to/3DGxigJ

Social Media and other Places to Find me: Instagram: @maridith.smith Pinterest: https://www.pinterest.com/tudorrevolution/ Ko-Fi: https://ko-fi.com/maridithsmith All Music was Provided by the YouTube creator studio. Video edited with DaVinci Resolve 17. Filmed with Cannon M50

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Pockets in the 16th Century?

So if you are new to my blog, Hello! I took July off to focus on work and realities of covid life. Thanks for hanging in there. This week we are doing to cover 16th Soccocia and their role toward the origin of pockets. People need a place to carry and keep their small items as they walk around. In the middle ages you might have a pilgrim satchel or a belt pouch. Some women in the middle ages had the brilliant idea to stop wearing their money purses outside of their over gowns and instead would wear them between their kirtle/sottona layer and over gowns. This arrangement still gave you access to the purse, but made it harder for thieves to cut your purse strings and run. Fast forward to the 16th century and we find the heirs to this practice in socaccia. We have some visual evidence of these in mid to late 16th century art out of Italy. This is a detail of Alessandro Allori's, Woman at her toilet, ca 1575-78. Currently in Florence, Church of Santa Maria Novella, Gaddi ...

Costumes in Wolf Hall

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time...

Making my Viking Apron Dress

This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over...

The Tudor Revolution

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