Discover Why Every Maker Needs This Book: Craeft Book Review

What does it mean to be a maker? What does it mean to be crafty? Where did the word craft come from in the English language? In Craeft, Alexander Langlands deep dives into these topics. Langlands is a Welsh archeologist that many reenactors might know from BBC programs like Tudor Monastery Farm, Tales from the Valley Green, or Victorian Farm. I read this book last year when I was taking some personal time to try and recharge and found it absolutely gets to the heart and soul of why I research and make things. The book also speaks to macro economics in a way that I had not really considered before as a maker of items and how a global disruption of trade can cut people off from goods, leaving them to be craefty like our ancestors to use local items and survive. Ya know, like we were all doing in 2020. This book was published in 2017. Langlands also dives into how our choices as makers can impact the environment around us and how it adapts and changes based on the car we give it as humans. Other Book Reviews: https://www.youtube.com/playlist?list=PL-n8YRaQqPMGji_INFPAHRcAgXWQ_2W5Y Amazon Affiliate Links Craeft by Alexander Langlands https://amzn.to/3vLStOj Braiding Sweetgrass by Robin Wall Kimmerer (indigenous perspectives that are similar for makers and relationships with the land in the Americas) https://amzn.to/3JeuCcY Canon M50 for Filming: https://amzn.to/4aK9Cqt

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Avoid These Common Mistakes: Packing for Pennsic and SCA Camping

#camping #mysca #societyforcreativeanachronism #glamping #pennsic This summer I've been letting myself fall back in love with the Society for Creative Anachronism. There have been some moments that have been hard for sure, but also some of my moments of greatest joy. One of the things I realized was I had completely forgotten what I need to pack in order to go camping in the different environments we see across the Western United States, at SCA events. This video does not speak in any official way for the non profit group or any of its branches. I simply wanted to share some of my pit falls and learning curves I've experiences over the years. I am a list maker. So I started planning for my second camping trip of the summer by making a list of the things that I would need to have cleaned and packed after my first trip did not go as smoothly as I had hoped earlier this summer. Towards the end of the video I give you 6 tips I've picked up from camping at these events

Making my Viking Apron Dress

This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over

Voided Velvet Sleeves from a Thrift Store Scarf

Detachable sleeves are one of my favorite things to make for renaissance dresses, and always seem to be the last thing I think to make when I'm planning my outfits. These sleeves are made from thrift store fabric to mimic one possible way that "cut work sleeves" were made in the period. There are several theories, and my research has made me think that they all may have been in use at different points in time for different specific motifs. To make these sleeves I used a voided velvet scarf I found at my local thrift store and remnants of rayon velvet, silk shantung, and linen. Techniques I cover in the video include basting, hemming stitches, and how to easily sew with velvet. I completed the project using a mix of hand sewing and a modern sewing machine. I love wearing these Italian renaissance dresses at reenactment events or when I attend events for the Society of Creative Anachronism. Groups like this have helped me learn more about how period techniques and mate

The Tudor Revolution

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