The Tudor Revolution

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time

Anne Boleyn by Lucas Horenbout Strawberry Hill ID: sh-000468 My pattern for the kirtle was based on the Henrician kirtle in The Tudor Tailor . I constructed it using 2 layers of linen canvas and on outer layer of white silk. As an experiment I did not stiffen this kirtle with reeds or boning as the Tudor Tailor originally suggested. Now that I have worn the kirtle a few times I may change my mind and add channels for reeds to be inserted and stiffen the bodice front. This bodice does not feel as supportive as my previous kirtles. I will give this style without boning a few more chances though before I stitch in all of the channels required to apply reeds or boning. I hand stitched the side seams of the bodice using white silk and I bound the bottom of the kirtle in scraps of white silk. All of the eyelets were worked by hand using an awl and metal rings. I chose to use the button hole stitch for working the eyelets, in cotton embroidery floss. These rings can be purchased thr

Anne Boleyn by Lucas Horenbout Strawberry Hill ID: sh-000468 My newest Tudor project has been researching this portrait to reproduce it the image. Scholars have identified this as Anne Boleyn, from her time serving in the household of Catherine of Aragon. The gold frame now around the miniature identifying this miniature as Catherine was added in the 19th, century. This miniature also bares a good resemblance to Anne's commemorative medal which was struck in 1534, with a more fashion forward version of the English hood. This medal is now housed in the British Museum. Anne is known to have used her clothing to make political statements. During this period of history, people used their clothing to show alliances. Fashion was very political. Anne is famous today for her preferences for French fashions, manners, and politics. What is commonly overlooked or forgotten is that she was English first. Anne wanted to be seen as a virtuous, English Queen. To better fit this role for stat

The costume department at Phoenix Comic Con hosted its second Silhouettes of History fashion show. The show was even larger this year than last year. I chose to model my red and gold Venetian gown. These photos were all taken by Patti Jo Collum, a member of the Costume Department staff. Thank you to the staff for another beautiful show.