Skip to main content

An Honest Conversation about Historical Authenticity

 In this video, I'm having an honest conversation about historical authenticity. I'm sharing the story of my Edwardian shawl, and discussing the goals I have for the project. I want to make a shawl that is authentic to the period in the pattern I used and crochet techniques. But rather than purely reproducing a historical piece I wanted my shawl to reflect the modern era that I live in. Truly great design is in fact timeless, and that is what I see when I look at this Edwardian shawl pattern.

If you're also interested in deeper conversations about historical authenticity, then you'll want to watch this video! We'll talk about the goals of historically inspired projects and the need to define what what your goal is for the project as you're working on it. I hope you enjoy the video, and I look forward to hearing your thoughts and comments!


If you are interested in trying out the pattern yourself, check out this link:
https://www.antiquecrochetpatterns.com/accessories/shawls-wraps/circular/

If you are interested in supporting the channel, below are some Amazon affiliate links to products I used to make this shawl. Lion Braid Mandala Yarn in Griffin https://amzn.to/40dfyns Aluminum G Hook- standard hook https://amzn.to/3DrBpxy Ergonomic Crochet Hook Set https://amzn.to/3HkLduC Yarn Needles https://amzn.to/3jb73J3

Social Media and other Places to Find me: Instagram: @maridith.smith Pinterest: https://www.pinterest.com/tudorrevolution/ Ko-Fi: https://ko-fi.com/maridithsmith All Music was Provided by the YouTube creator studio. Video edited with DaVinci Resolve 17. Filmed with Cannon M50

Comments

Popular posts from this blog

Pockets in the 16th Century?

So if you are new to my blog, Hello! I took July off to focus on work and realities of covid life. Thanks for hanging in there.  This week we are doing to cover 16th Soccocia and their role toward the origin of pockets. People need a place to carry and keep their small items as they walk around. In the middle ages you might have a pilgrim satchel or a belt pouch. Some women in the middle ages had the brilliant idea to stop wearing their money purses outside of their over gowns and instead would wear them between their kirtle/sottona layer and over gowns. This arrangement still gave you access to the purse, but made it harder for thieves to cut your purse strings and run.  Fast forward to the 16th century and we find the heirs to this practice in socaccia. We have some visual evidence of these in mid to late 16th century art out of Italy. This is a detail of Alessandro Allori's,  Woman at her toilet, ca 1575-78. Currently in Florence, Church of Santa Maria Novella, Gaddi ...

Making my Viking Apron Dress

  This Week's vlog is the follow up to my Viking Age Tunic dress which I posted last week. When discussing the clothing of Birka and other Norse cultures, a woolen dress is an iconic look which is functional while tending a fire or many other activities. My apron dress is inspired by the finds out of Birka. The wool I used was a light weight suiting with a 2:2 twill weave. The long seams of this dress were finished with a machine for speed, and all of the seam finishings were hand sewn. I used a woolen finishing technique I learned about while flipping through Woven into the Earth by Else Ostergard. The technique involves using wool yarn and a couching stich of sorts to encase the raw edges of the wool. The end result is a low profile and durable seam around the neck and hem of my apron dress. I love that all of the hand sewn elements of this dress start to create a decorative finish on the outside of the dress and the only extra embellishment I added was a herringbone stitch over...

Costumes in Wolf Hall

Many of us who love historical costume were completely smitten with the production shots we saw before Wolf Hall aired earlier this year. Now the series is available for sale through PBS, BBC, and even national retailers like Target. With the popularity of this series I want to take a moment and give those new to Tudor fashions a few notes before you take everything in the series as gospel. This is one of the most accurately costumed historical dramas that I have seen in years. The color palate, cuts, underwear, and fabrics are impeccable. But don't forget to do your own research into the clothing as you make your own ensembles. Odd Piece #1: French Hoods I appreciate the costume designer here for acknowledging French hoods need veils. I doubt though that you will find a single portrait from the 1520's or 30's in England or France that uses fine silk chiffon. Typically you will see a solid black veil on the French and English hoods. Medals done in profile from the time...